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CFP: Re-Thinking Technology in Museums 2011: Emerging Experiences
Themes of the Conference
It’s important to reflect on how museums/galleries and visitors have been affected from an experiential point of view: what have museums and galleries become? And what about the role of visitors? How are meaningful and rewarding experiences emerging in this context?
- Conceptual approaches to studying the experiential qualities of visits (such as social interaction, development of a sense of place, learning and critical reflection);
- Descriptions of methodological approaches for understanding visitors’ experience;
- Case studies describing museum’s staff experiences in understanding and supporting visitors by means of technology;
- Case studies describing the design of interactive (low-tech and high-tech) exhibitions, and the deployment of other IT tools such as social media;
- Case studies describing the development of educational workshops and/or installations in museums and galleries aided by interactive technologies.
We encourage social scientists, museum education and communication experts, curators, exhibition designers, interaction designers and computer scientists to submit a paper.
We particularly welcome submissions from museum and gallery experts, describing their current practices in supporting visitors’ experiences and their concerns in supporting visitors’ engagement, interest and informal learning, as much as from researchers exploring the potential of new technologies and suggesting innovative designs.
Papers due:
Notifications
Camera Ready papers due
Conference
Conference Chair
- Luigina Ciolfi, Interaction Design Centre, University of Limerick, Ireland
- Luigina Ciolfi, Mikael Fernström, Marc McLoughlin, Anne Murphy UL IDC
- Katherine Scott, Irish Museums Association
- Fabiano Pinatti, UL IDC
- Linda Ballard, Ulster Folk and Transport Museum, Northern Ireland
- Liam Bannon, University of Limerick, Ireland
- Kieran Burns, Number 29 Dublin and IMA, Ireland
- Luigina Ciolfi, University of Limerick, Ireland
- Brian Coates, University of Limerick, Ireland
- Eileen Coates, Independent Curator, Ireland
- Michael Cooke, Trinity College Dublin, Ireland
- Patrick Cooke, University College Dublin, Ireland
- Brian Crowley, Pearse Museum and IMA, Ireland
- Vincenzo D’Andrea, University of Trento, Italy
- Lily Diaz, University of Art and Design Helsinki, Finland
- Maria Economou, University of the Aegean, Greece
- Mikael Fernström University of Limerick, Ireland
- Mike Fraser, University of Bristol, UK
- Areti Galani, Newcastle University, UK
- Elisa Giaccardi, Univ. Carlos III de Madrid, Spain
- Georgina Goodlander, Smithsonian American Art Museum, USA
- Halina Gottlieb, Interactive Institute, Sweden
- Paul Green, Cork Institute of Technology, Ireland
- Tony Hall, NUI Galway, Ireland
- Jon Hindmarsh, Kings College London, UK
- Eva Hornecker, University of Strathclyde, UK
- Tobie Kerridge, Goldsmiths University of London, UK
- Ann Light, Sheffield-Hallam University, UK
- Carlo Maiolini, Museo Tridentino di Scienze Naturali, Italy
- John McCarthy, University College Cork, Ireland
- Marc McLoughlin, University of Limerick, Ireland
- Annette Moloney Independent Curator, Ireland
- Helen Monaghan, National Gallery of Ireland
- Joan Nordbotten, University of Bergen, Norway
- Shaleph O’Neill, University of Dundee, UK
- Daniela Petrelli, University of Sheffield, UK
- Palmyre Pierroux, University of Oslo, Norway
- Pille Pruulmann-Vengerfeldt, University of Tartu, Estonia
- Elisa Rubegni, Universita’ della Svizzera Italiana, Switzerland
- Mariana Salgado, University of Art and Design Helsinki, Finland
- Dagny Stuedahl, University of Oslo, Norway
- Loic Tallon, Pocket-Proof, UK
- Michael Twidale, University of Illinois, USA
- Dirk vom Lehn, King’s College London, UK
- Kevin Walker, London Knowledge Lab, UK
