See the full list of winners and explore their fabulous projects:

http://mw2013.museumsandtheweb.com/best-of-the-web-winners

There is little doubt we all won with such inspiring and engaging projects out there; the bar is set high for MW2014 and we know you will raise it again next year!

The Professional Forum: Avoiding Icebergs Whilst Steering the Titanic session from 2:30pm – 3:30pm is moving to the Oregon Ballroom.

As I began processing the results of the Best of the Web People’s Choice voting I have uncovered an anomaly that means I do not trust the results. I have refactored the voting process and would ask you to place your vote again at: http://mw2013.museumsandtheweb.com/best-of-the-web-nominees – voting will now remain open until Friday at 3:00pm.

Tips

Tips from oldies and newbies to Museums and the Web; add yours in the comments below!

Networking: The people you get to know are arguably the greatest value of attending Museums and the Web. Here are some tips for building your personal network at MW:

• Don’t be shy: about introducing yourself to strangers; what you get out of the conference will increase exponentially with every new colleague you meet!
• Wear your badge! This will help and encourage people to introduce themselves and ask about your organization.
• Tweet with vigor! Use social media and the conference hashtag, #MW2013, to find people and what’s going on – even if you are not normally a Twitter user and don’t contribute to the twitter feed yourself!
• Get a roommate: it’s a great way to meet people!
• Eat heartily! Go to the hotel bar at the end of the day for drinks; everyone will be there!
• Follow up after the conference with the people you met with an email, a Linked In invitation, a tweet or other short message to let them know you’d like to stay in touch.

Professional Development: In addition to the network you’ll develop, here are some of the key professional development opportunities at MW:

• Pre-conference workshops: these are optional and cost extra on top of the main conference registration. They are an opportunity to learn or deepen a skill in workshops led by museum colleagues who have depth and breadth of experience in the field.
• Local museums: try to build time into your schedule to see local museums, and reach out to colleagues there both before you come and while visiting their town. They are often happy to show you around and give you behind-the-scenes views into how they work.
• Start a conversation: propose a “Salon” session (for Thursday afternoon) or a “Birds of a Feather” breakfast roundtable topic (Saturday morning). Spend the time before then inviting people to join you (in person and via social media) and then blog, tweet, or otherwise share your experience afterwards.
  
• Find a mentor: This is a generous and experienced community, and we all remember our first time at MW. Don’t be afraid to ask people to help, to guide you, and even mentor you beyond your time at MW. The value of even the most experienced attendee’s knowledge increases exponentially each time that expertise is shared, so you are doing your mentor a favor too by building on what they already know!
• Try something new: go to a session you know nothing about to expand your horizons, skills, and professional connections. Even if you don’t pursue that topic immediately, you’ll be a better-connected and well-rounded museum professional.
• Try something crazy: act on at least one impulse per day!

Logistics: Got a how-to question about the conference? We try to answer them all on the MW2013 website:

• What’s happening next? Check the “Live Program” feed.
• Transportation: Wondering how to get to evening events? Check the “Live Program” feed.
• Presentation logistics: All presenters will have use of a projector, power and Internet connection. Coordinate your presentation time with your session chair if you are in a multi-presenter session, and respect the presentation order in the program as many attendees “session hop”. Demonstrators have an exhibit hall booth, sign, table, chair, monitor as well as wifi and power for their 1 hour sessions. More presentation tips can be found here.
• Pace yourself: Try not to pull an all-nighter the first night, as you’ll want to stay up late every night with all the great conversations going on!
• Go with the flow: Don’t plan too much, and be willing to make last-minute changes to your plans!

Please add to these tips and help us answer other questions in the comments below!

With MW2013 now officially open please refer to the Live Program – keep the page open and refreshed on your mobile device to see what is happening now and upcoming throughout the event.

As part of this year’s conference, we are excited to introduce a new media exhibition component into the program.

In the spirit the “hypermedia installations” curated by Xavier Perrot that were features of earlier ICHIM events, MWX2013 presents a “prototype” exhibit focusing upon Augmented Reality. Museums and the Web‘s exhibition initiative is curated by Vince Dziekan, and our inaugural exhibition features works by John Craig Freeman, Future of Reality and Will Pappenheimer that emphasise how the innovative potentials of AR can be used for tactical intervention.

In recent years, thanks in large part to increased accessibility to the technology through proprietary and end-to-end services (such as Layar, Aurasma, Junaio), AR has become one of the most interesting areas of development in the “musetech” landscape. Today, the breadth of possible applications of augmented reality content in museum interpretation is represented by innovative projects spanning cultural heritage (such as the Pure Land augmented reality edition produced as part of the Digital Dunhuong project) and audience engagement strategy (the Site app produced by the Museum of Contemporary Art, Sydney is just one example for amongst many). However, while the conception of augmented reality can be traced back to Adolfo Bioy Casares’ novel, La Invención de Morel (1940), artistic precursors of AR go back to the early mediated interfaces produced by Jeffrey Shaw (most illustratively Golden Calf, 1994) and the mixed reality environments created by Raphael Lozano-Hemmer (Body Movies, 2001).

The curatorial strategy for MWX2013 adopts an “interventionist” approach, inspired by how the work of these contemporary new media artists harnesses the potential of AR to create artworks with a deceptively playful, yet critical edge. The resulting exhibition is “blended” into the main program of MW2013 in Portland in a manner that we hope will both surprise and engage delegates.

Support for this project is acknowledged from the Australia Council’s Visual Arts Board, along with other institutional and contributing partners.

If you want to bring a friend to any of the evening events of complement a day registration you can now order event tickets on the Attendee Registration Page.

You can also add a Workshop, morning, afternoon or one of each to your existing registration by creating a new order on the Attendee Registration Page.

In order to give more time for productive conversation we are soliciting Salon topics online. The Salon is an evolution of the Unconference format and we encourage you to review the topics submitted already at http://mw2013.museumsandtheweb.com/salons and add your own.

Login or create an account, review the Best of the Web nominees at http://mw2013.museumsandtheweb.com/best-of-the-web-nominees and cast your vote by April 17th. You get one vote and your vote is final.

Join us on Friday April 19 at 5:00pm for the Award Presentations or follow Twitter for live tweeting of the results, which will be published in full on the MW2013 website.